We Build Automata So to
Mend Our Broken Dreams
‘We’re not computers, Sebastian, we’re physical,’ says Replicant Roy Batty to the brilliant but emotionally stunted genetic designer J.F., in Blade Runner, after he asked Roy and Priss to ‘do something.’
We’ve been asking these quasi-beings that we create to ever so closely resemble our own likeness, to do things for us since at least the 300s BCE, when mathematician Archytas built his steam powered dove.
From that first artificial bird to today’s wonders of modern animatronics on the screen, and Japanese robots all around, we’ve built a hefty utopian timeline of artificial bodies, made of assorted materials or other body parts. No wonder, they also litter the stuff of our nightmares.
Designed to obey, first, then to go where no human could possibly survived, as Philip K. Dick envisioned, we seemed to have this immemorial angst of beating god at his own game and develop a more faithful companion than our own kind, only to get frustrated, if they’d grow too loyal, or killed, if they’d turn on us.
Fictionally, of course. Even though we should’ve known better by now, we still pursue a variety of traditions of supernatural beings doing things for us or to us, creating and destroying our world at will, acting just like summarized versions of the supreme invisible deity billions believe controls our every move on this planet.
From the Golem to Godzilla, from Adam to Frankenstein, we’re transfixed by the thought of being capable of creating or even conceiving another animated body, made out of mud and plastic, to sooth our desperate loneliness in a vast, totally indifferent universe.
It could as well be that we’re just bored, or no longer can stand any of the other 6,999,999,999 bodies cramped and imprisoned in this tiny rock, swirling steadily but completely out of our control, and dream of one day be on the other side of the puppeteering strings.
PROMETHEUS’S FAILED DELIVERANCE
Curiously, in our millennial zeal of building the perfect beast, never mind the billions around us we care little about, we got no close to breathe life into any of them. At the most, we may’ve perfected yet another almost obsolete obsession in the process: the clockwork.
Thus the centuries-old automata, marvels of mechanical prowess, and the industry that once thrived manufacturing them, may have reached flights of imagination and promise across time, but are now all but reduced to that wonder of functionality and futility: the Roomba.
About those exquisite androids of yore, The Writer is in a particular time capsule all of its own. Designed by Swiss watchmaker Pierre Jaquet-Droz, his son Henri-Louis, and Jean-Frédéric Leschot, it’s a bundle of 6,000 programmable moving pieces, wrapped within the wooden body of a boy.
It looks like a vintage toy but it’s way more than that. (more)
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* Not Human
* Babies Are Us
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