Strange Love

Help! My Left Hand
Is Trying to Choke Me

If you think that the man who mistook his wife for a hat was out of his mind, you’ve got something else coming for you. Since 1908, scientists have recorded cases of people with one of their hands acting as if it has a mind of its own.
Take a 67-year-old man whose identity shall remain unknown, who was reported having a very special left hand that would do Continue reading

Easy Shooter

Auction Block for Warhol’s Mao
with Dennis Hopper’s Bullet Holes

JUST IN: Hopper’s estranged fifth wife, Victoria Duffy Hopper, has succeeded in halting the sale of a significant portion of the actor’s art collection after lodging court papers in California. But the temporary decision affects only part of the auction lot: Warhol’s Mao has already been sold for $302,500, more than 10 times its estimated sale price.

When Dennis Hopper died last May, his best film acting and directing work were far behind him. But his developed taste for photography and painting, if it never matched the success he had on screen, helped him to become a gifted collector.
By the mid 1970s, he’d already acquired several seminal works of contemporary artists, such as the 1972 silk-screen “Mao Zedong”, by one the hottest artists of the time, Andy Warhol. At the same time, Hopper had also acquired a sizable appetite for drugs and alcohol.
The combination of the painting and of his binges proved explosive. And somewhat historical. In one of his rages, Hopper Continue reading


“In a Mad World,
Only The Mad Are Sane.”

The great Japanese filmmaker Akira Kurosawa, whose centennial is being celebrated this year, was known for creating full-scale paintings to use as storyboards for his films. His masterpieces “Rashomon,” (1950), “Seven Samurai,” (1954), “Kagemusha,” (1980), to which belongs the panel above, and “Ran,” (1985), all benefitted from his richly detailed, high quality storyboards, and resulted in countless international awards.
Along with another superior filmmaker, Italian Federico Fellini, Kurosawa‘s storyboards tell stories of their own and exist independently from the movies to which they were drawn. He tapped into Shakespeare, Dostoevsky and Gorky, and his love for American post-war Western directors such as John Ford, to develop highly personal and intensely humanist works, many of them adapted and remade by others.
He died in 1998, not as a household name in Japan but revered the world over as one of the cinema’s great masters.