A note about Russian filmmaker Andrei Tarkovsky threw me for a spin today.
The note, on DangerousMinds.com, was about “The Steamroller and the Violin,” first feature of the man Ingmar Bergman credited for having “invented a new language, true to the nature of film,” as the blogger Paul Gallagher writes.
In a second, I went back in time, to a brief encounter on a street of SoHo, New York, with the Australian art critic Robert Hughes. Having as a rule never to approach someone famous, I confess, I did make an exception at the time.
Hughes had just published a highly praised biography of Francisco de Goya and I wanted to ask whether he knew the Continue reading →
Ecology of Death Penalty or Being Buried in a Watery Grave
Immortality is one of those dreams that would turn into a nightmare if it’d ever become reality. Even without the proverbial zombies roaming the earth, we still need desperately to die on a regular basis.
Not a pretty picture, to be sure, but a point of support to all blessed forms of natural death, the economics of crime and punishment, and the ecology of making sure we dispose properly the bodies of those who passed away.
According to the Annals of Improbably Research, modern forms of execution went through considerable changes until reaching Continue reading →