Double Intuition

On Their Minds, 9-11
Happened Before 2001

After fifteen years, the tragic imagery of Sept. 11, 2001, has taken deep roots into the collective psyche of our era. It became a visual metaphor to every nightmare bred out of fear of terrorism, even as countless acts of extreme violence have followed that crispy, blue-sky Tuesday in America.
Even more intriguing are depictions of exploding planes and buildings that art and pop culture have produced before 911. Two works are particularly impressive: a sculpture by New York artist Michael Richards, killed that day, and a painting by British Willie Gardner.
Wisely ignoring conspiracy buffs, who like to dwell in a made-up reality with even more odds stacked against us, it’s still possible to appreciate the intuition that led these two black artists to conceive works of such haunting, and premonitory, quality, while sharing not much else in common.
To be sure, anticipation, and the ability to eerily foresee a world not quite here, are integral to creative expression, even when that’s not exactly the author’s intention. Also, it’s not unusual for life to emulate what art, and public sensibility had already made possible to conceive.
After all, we all breathe the same toxic, over-saturated environment, suffused through ages by human interference. And our brains are especially biased to see a connected world that does not exist outside our skulls; life happens independently of our will or whims.
The fact that the two works are not in the same level of artistic sophistication is irrelevant too. Richards was a rising talent, who perished when his studio was crushed by the destruction of the Twin Towers, while Gardner, who died in 2010 and only dabbled in art as an amateur, was thousands of miles away.
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Read Also:
* No Pics
* Flight, Interrupted
* Quantum Leaks

There’s no record that either one was imbued of any anticipatory penchant. Theirs was something out of a vision whose meaning they’ve taken with them. But that something inevitably tickles our minds, still eager to find significance, and sense, in that despicable tragedy.
Yes, there were many others for we are particularly good at inflicting progressively horrifying terrors onto each other. And we could be talking here about the victims, or the evildoers, or any number of the cliches that have piled up about that day. But we’re glad we have Richards and Gardner to memorialize instead.
Every year, we promise not to add anything to the meaningless cacophony of 911’s moaning and complaints. And every time we break our vows. It’s just as well. Art and reality are often unexplainable. We’re doomed to face terror over and over in our lifetimes. So at least, let’s try to do it with fresh eyes.

Quantum Leaks

The Deaths of Two Pablos &
the Latin American Sept. 11

Just as the exhumation of Pablo Neruda’s remains got under way in Chile, Wikileaks has released another trove of U.S. documents. This time, they relate to the same period of the poet’s death, days after the Sept. 11, 1973 coup that ousted democratic president Salvador Allende.
As for the other Pablo, April 8 was the 40-year anniversary of Picasso’s death, who was also targeted by a dictatorship, that of Francisco Franco, but managed to outlive its reign of terror. Thus what took place decades ago remains relevant even to these indifferent times.
The 1970s was a dark period for most of Latin and Central America, with widespread military coups and disregard for human rights. It was a time when blood-thirsty rulers, under the banner of fighting a mostly fabricated Communist threat, were let loose to persecute and assassinate political opponents.
What’s disturbing is the fact that they may have had help from Washington and the Vatican, as the Wikileaks papers attest. Former U.S. Secretary of State Henry Kissinger and Pope Paul VI, both central to events of the period, are shown to be aware of what was taking place down South. They just chose to do nothing to prevent it.
Kissinger’s role has long been discussed, as there’s an overall consensus that the generals who disrupted by force so many democracies in the region could not have remained in power for as long as they did without political support and funding from Western powers. Despite all claims to the contrary, he’s staunchly denied any role in the Chilean coup.
But the papers also show that the Vatican had downright dismissed mounting allegations and evidence of almost indiscriminate murders and serious violations Continue reading