Scary Night

A Great Ruckus on
Grand Concourse

I was called again to the precinct. It’s the second time this month. I’ve already told Willem that whenever he puts up that sort of stunt, not just me but everyone is affected. I don’t mind it myself, but after all, it’s 3 am and I’ve got patients to see tomorrow morning. But as usual, once out, he’ll likely walk away without listening to anybody.
I can’t bring myself to call his brother, because I know that he and his wife are going through a rough patch, and I don’t need to tell who’s the culprit for that. Their relationship took a hit from Williem’s behavior, showing up at all times, usually drunk, and asking for another loan.
No marriage can withstand that kind of interference. In our talks, I always try to drive home this point. At the end of the day, Theodorus is his only relative to not just care about him but also support him financially. Not so much for that, but without his brother, Willem would be done, couldn’t last another crisis.
As for crisis, well, there were so many that after all these years, I’d need to go over my notes to find out how many. On the other hand, I feel sympathy – not pity – for his plight, the demons he faces daily, the horrors that frighten him and prevent him from getting any sleep. This nightmare-induced insomnia only aggravates his state.
And then, of course, there’s his creative genius, his fury which cuts him off from everyone. To tell you the truth, he scares people away, especially when brandishing threateningly his brushes against the canvas. It’s his armory, to avoid getting hurt but go tell this to those he insulted and yelled at. They’re quite a bunch.

In the end, few get him. To them, his work is offensive, almost pornographic in its distorted colors and shapes. I understand; it’s not easy to appreciate his paintings for what they are, peasants, flowers, landscapes, and stars, but depicted through fouled traces and exacerbated emotions. They’d rather have romance, reassurance in art. Just between us, folks can be boring, but that’s just my opinion.

II

When we talk, his solitude always comes up. That’s when I truly feel sorry for him. Compassion, even, for no young gal, on her right mind, would put up with such a caustic personality, without being crushed. That’s why, despite the obvious risks to his health, I pretend I don’t mind his habit of sleeping with prostitutes.

For only angels like them can offer comfort and company to such an afflicted soul. At the same time, he’s always getting into trouble, fistfights and drunken stupors, let alone that he spends what he doesn’t have in those sinful nights. Willem has no sense of restraint and is absolutely oblivious to the concept of saving money to pay rent, or even food the following day.
Anyway, I’m here, waiting for Inspector Rolland, who at this point is an old ally. He’s been extremely patient but every time I come, I’m afraid that it’s the moment of rupture when he’ll finally throw the book at Willem. No wonder. He’s been through so much with his superiors, as he always lets such a ‘rowdy dopey,’ as they call him, walk without bail.
A few moments and Rolland brings him over. Disheveled, bloated, covered with the dirty blanket cops who arrested him had given him. This time, he was naked near the Reservoir, doing heaven knows what. I know he’s harmless, incapable of hurting a fly but would believe it?
That is, as long as you don’t pick a fight with him when he’s under the weather. But usually, he’s the kind that directs his anger against himself, which is sad. I’m always afraid of the worst. Thankfully, coming from him, I’m used to be prepared, sort of, and brought him a change of clothes; this is neither the first nor will be the last time that he strips in public.
To him, it’s not even ‘public,’ as in exposing himself. It’s more like an attempt to get himself rid of the chains he imagines (more)
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Read Also:
* Museums of Something Else
* F For Fading
* Vanishing Memories
Continue reading

Man Made

We Build Automata So to
Mend Our Broken Dreams

‘We’re not computers, Sebastian, we’re physical,’ says Replicant Roy Batty to the brilliant but emotionally stunted genetic designer J.F., in Blade Runner, after he asked Roy and Priss to ‘do something.’
We’ve been asking these quasi-beings that we create to ever so closely resemble our own likeness, to do things for us since at least the 300s BCE, when mathematician Archytas built his steam powered dove.
From that first artificial bird to today’s wonders of modern animatronics on the screen, and Japanese robots all around, we’ve built a hefty utopian timeline of artificial bodies, made of assorted materials or other body parts. No wonder, they also litter the stuff of our nightmares.
Designed to obey, first, then to go where no human could possibly survived, as Philip K. Dick envisioned, we seemed to have this immemorial angst of beating god at his own game and develop a more faithful companion than our own kind, only to get frustrated, if they’d grow too loyal, or killed, if they’d turn on us.
Fictionally, of course. Even though we should’ve known better by now, we still pursue a variety of traditions of supernatural beings doing things for us or to us, creating and destroying our world at will, acting just like summarized versions of the supreme invisible deity billions believe controls our every move on this planet.
From the Golem to Godzilla, from Adam to Frankenstein, we’re transfixed by the thought of being capable of creating or even conceiving another animated body, made out of mud and plastic, to sooth our desperate loneliness in a vast, totally indifferent universe.
It could as well be that we’re just bored, or no longer can stand any of the other 6,999,999,999 bodies cramped and imprisoned in this tiny rock, swirling steadily but completely out of our control, and dream of one day be on the other side of the puppeteering strings.

PROMETHEUS’S FAILED DELIVERANCE
Curiously, in our millennial zeal of building the perfect beast, never mind the billions around us we care little about, we got no close to breathe life into any of them. At the most, we may’ve perfected yet another almost obsolete obsession in the process: the clockwork.
Thus the centuries-old automata, marvels of mechanical prowess, and the industry that once thrived manufacturing them, may have reached flights of imagination and promise across time, but are now all but reduced to that wonder of functionality and futility: the Roomba.
About those exquisite androids of yore, The Writer is in a particular time capsule all of its own. Designed by Swiss watchmaker Pierre Jaquet-Droz, his son Henri-Louis, and Jean-Frédéric Leschot, it’s a bundle of 6,000 programmable moving pieces, wrapped within the wooden body of a boy.
It looks like a vintage toy but it’s way more than that. (more)
__________
Read Also:
* Second Variety
* Not Human
* Babies Are Us

Continue reading

Man Made

We Build Automata So to
Mend Our Broken Dreams

‘We’re not computers, Sebastian, we’re physical,’ says Replicant Roy Batty to the brilliant but emotionally stunted genetic designer J.F., in Blade Runner, after he asked Roy and Priss to ‘do something.’
We’ve been asking these quasi-beings that we create to ever so closely resemble our own likeness, to do things for us since at least the 300s BCE, when mathematician Archytas built his steam powered dove.
From that first artificial bird to today’s wonders of modern animatronics on the screen, and Japanese robots all around, we’ve built a hefty utopian timeline of artificial bodies, made of assorted materials or other body parts. No wonder, they also litter the stuff of our nightmares.
Designed to obey, first, then to go where no human could possibly survived, as Philip K. Dick envisioned, we seemed to have this immemorial angst of beating god at his own game and develop a more faithful companion than our own kind, only to get frustrated, if they’d grow too loyal, or killed, if they’d turn on us.
Fictionally, of course. Even though we should’ve known better by now, we still pursue a variety of traditions of supernatural beings doing things for us or to us, creating and destroying our world at will, acting just like summarized versions of the supreme invisible deity billions believe controls our every move on this planet.
From the Golem to Godzilla, from Adam to Frankenstein, we’re transfixed by the thought of being capable of creating or even conceiving another animated body, made of mud or plastic, that could sooth our desperate loneliness in a vast, totally indifferent universe.
It could as well be that we’re just bored, or no longer can stand any of the other 6,999,999,999 bodies cramped and imprisoned in this tiny rock, swirling steadily but completely out of our control, and dream of Continue reading