Vessels of Tears

Beyond Memory, Three
Wrecks That Still Hurt

The schooner that brought the last 110 Africans to be American slaves, in 1860; a boxcar that carried many of the millions of Jews to Germany’s Auschwitz extermination camp, during WWII; a boat that sunk in the Mediterranean in 2015, killing over a thousand migrants.
For their riders, hope for breaking chains, breathe freedom, or find a future, was yanked out of their reach. But even stripped of their dignity, or forced to renounce name and identity, their lives were not wasted. Now, more than ever, they must be known by all.
It’s an intriguing coincidence. The Clotilda, a slave ship just-found in Alabama; a cattle car used in the Holocaust, being exhibited in Manhattan; and the rescued wreck of the Barca Nostra, on display at the Venice Biennale, are sharing a meaningful moment now.
Slavery. Racism. Xenophobia. Neither vanquished, as believed, nor gone. As their murderous spell threatens the world again, it’s timely that all three vessels have been given a new life as beacons of memory and resistance. History is not made to be repeated.
Some are weary of attributing to objects the significance of the pain and suffering experienced by actual human beings; it risks dehumanizing them further. But it beats forgetting it all. It jolts people out of complacency, and gives them agency over the immovable past.

THE LAST SLAVE SHIP, BURIED IN THE MUD
The story of the Clotilda, the boat that transported kidnapped West Africans to Alabama, is well known. The last slave ship to reach the U.S., at the dawn of the Civil War, it was among other things, breaking the federal ban on ‘importation,’ in effect since 1808.
To avoid being caught, after delivering its heartbreaking cargo, the captain burned and sank the boat. But in a generation, the then former slaves founded Africatown, and helped build this country. They did not forget, though, and now there’s proof for the stories they’ve heard.
The discovery is worth being part of the national conversation about the black African-American experience, just like Reparations for Slavery, and prison and drug reforms. All are about giving people and their stories their due acknowledgement and place in history.

THE SINISTER CARGO OF NAZI TRAINS
In America, circa 2019, when a white supremacist goes in a rampage, killing Jewish people, or another Latino child dies at an immigration facility, the president gives the first a nod, and ignores the other. No wonder that there’s been quite a few of both lately. People of a certain age know how this winds up.
Auschwitz, at the Museum of Jewish Heritage, a show about Germany’s biggest concentration camp between 1940-1945, features a railcar just like the ones Nazis used to ship thousands of Jews and others to gas chambers. But it teaches more than that.
Hate and murder are the stock and trade of psychopaths in power, but they rely on forgetfulness to come back again. If the murder of six million is no longer (more)
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The Crying Games

Five Rings Above Misery (Telegraph/Getty)

A Bruised Rio Hosts Its
Low-Expectations Olympics

What a difference 10 years make. A decade ago, when Rio begun its cavalcade to host the Summer Olympics, Brazil was swimming in optimism. Unprecedented economic growth and a hard-earned period of political and social stability suddenly gave Brazilians much-sought global respect and the drive to dream that yes, they could.
In a country suffused with body culture, nothing would’ve marked that spirit as winning the bid for both the games and also the 2014 World Cup. From that point in history, only those two mega-sport events could represent a fitting coronation to what turned out to be an exceptional but miserably elusive moment.
The Olympics and Paralympics competitions that start officially Friday, however, are taking place in a radically different country. Long gone are the joy and effusiveness that fueled the celebrations for being chosen, in October 2009, by the International Olympic Committee, in Copenhagen.
It seems as if Brazil run out of the luck it never really had. Or that was too disappointingly brief. In one moment, it was a model of sustainable growth and the text book for social promotion policies, only to become, in the next, a continental-size pool of resentment and regret.
Not unlike voters for Brexit, Brazilians woke up suddenly and realized they may have thrown away the baby along the dirty bathwater. Two whole years of street protests against corruption, and all they got was a group of lousy politicians with police records who now occupies the government.
Competitors Will Jump in the Guanabara Bay, no Matter What. (Ricardo Moraes/Reuters)
WAIT, WE MAY STILL WIN THIS
Deeply divided, Brazil is already suffering another global-scale public humiliation, just as it did two years ago, when the then celebrated national soccer team got thrashed by Germany in the World Cup. A look at global headlines about these games has been source of even deeper embarrassment.
Every media outlet, including the country’s own, has reported a corollary of staggering woes brought to light by the magnifying glare of the games. From raw sewage in Guanabara Bay, site of most water competitions, to fears of disease-carrier mosquitoes, it all looks pretty bleak now.
We will return to foes that everyone is hoping against hope won’t tarnish the innate Olympics beauty, but first, as if almost duty-driven, the focus must be on a few good, or fine, or at least, interesting and even inspiration things about the games, even before they start.

SOME SHINING POINTS OF LIGHT
Ok, so we found three, but worth mentioning all the same. Like the 10-people Refugee Olympic Athletes team. Plucked from millions around the world, they will compete in several categories as independents. Since there should be many more, and there aren’t, they will be our own good-for-gold team.
Speaking of athletes, youth bodies, downtime, and a party city like Rio, it all may mean one thing: they’ll get laid. A lot. That’s why nine million ‘Rainforest friendly’ condoms will come in er handy. They’re sustainably-produced, made in Xapuri, the late Chico Mendes‘ hometown, in the Amazon state of Acre, and they’re free. Help yourself.
Finally, like many top world competitors, the third point of light is a cheat. Guilty as charged. But no less meaningful: it’s the (more)
_______
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* Marvelous City
* Fly me to the Alemão
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