When Covers Rocked
As Hard as the Music
There has been many a requiem for the vinyl album. After a post-war apogee of the thick 78s, the 33 and 1/3r.p.m. record reigned supreme for 30 years. But its demise was swift, vanquished by the CD, which like replicants of the era, wasn’t built to last.
During its glory, though, it was a perfect conduit for the music that engraved hearts and minds of three generations. While the sound outlast formats, the albums’ art covers were the signposts pointing to the narrative of changes that their songs were about.
The names of the artists who created the jackets and sleeves of the soundtracks of the 1950s, 60s and beyond never became nearly as familiar as the superstars who came to dominate the age. Nevertheless, some of the work has arguably surpassed the content they were supposed to illustrate and complement.
Peter Blake, Alan Aldridge, Roger Dean, H.R. Giger, the recently deceased Storm Thorgerson, along with already established artists such as Andy Warhol and Robert Crumb, were some of the outstanding creators of seminal works of contemporary art, for the packaging of pop hits they were designed for. That art, unfortunately, is no longer around.
Elvis, Beatles and Rolling Stones, Janis Joplin, Bob Dylan, Pink Floyd and Nirvana, Yes and Led Zeppelin, along with some notable jazz labels such as the Blue Note, have all benefited from the explosion of the art of album cover, and some of the era’s greatest hits are forever linked with the images that graced their albums. Some were controversial, but most were deeply inspiring.
END OF THE STANDALONE RECORD
Their downfall may have started with that shortest-lived of the formats, the Compact Disc, which arguably cut down on the space for art on the cover. When it went the way of the cassette tape, which it’s also buried, Continue reading